![]() To wit: This season’s temple of doom story line (Magical waters? Really?), was more corny than captivating.īut when you’re swinging for the fences, strikeouts happen. At times, the writers seemed to get a little too full of themselves. But we gave ourselves over to the madness and patiently held firm to the belief that “Lost” would get us to where we needed to go. Sure, we grew frustrated, even infuriated, when our questions weren’t addressed in prompt fashion - or were answered in a way that provoked even more questions. Those of us who stood by the show came to view it as an act of faith. Through the seasons, ratings declined as viewers became too confused or exasperated to hang with “Lost.” Some stormed off in anger, feeling like they were being bamboozled by Lindelof and writing partner Carlton Cuse. Why the sad tale of long-lost soul mates, Desmond (Henry Ian Cusick) and Penny (Sonya Walger), provided some of the most emotionally powerful moments of the entire series.Īs Chicago Tribune critic Maureen Ryan once pointed out, under its hard shell of mythology, “Lost” had a “gooey, soft, sweet center.”īut it wasn’t for everybody. Why we rooted for Sayid (Naveen Andrews) to be reunited with Nadia. ![]() It’s why our guts were wrenched when an ill-fated Juliet (Elizabeth Mitchell) slipped away from Sawyer (Josh Holloway). ![]() It’s why we shed tears a couple of weeks ago when Sun (Yunjin Kim) and Jin (Daniel Dae Kim) met their doom in a sinking submarine after an agonizingly long separation. Yes, at its heart, “Lost” was about the very human desire to escape isolation and feel connected to another person. What I mostly cared about were Jack (Matthew Fox) and Kate (Evangeline Lilly) and their fellow survivors of Oceanic Flight 815 - and what it was, exactly, that drove them to do the things they did. While I certainly devoted a fair amount of time trying to decode its symbolism, I usually left the guesswork (and DVR freeze-framing) to others. Moreover, “Lost” was a show that could be enjoyed on a variety of levels. And it didn’t hurt that it featured the gorgeous backdrop of Oahu, where I spent much of my childhood. It rattled my notions of what TV could be. But “Lost” was exhilaratingly distinctive. Far too often, Hollywood’s efforts provoke shrugs of indifference. Like others in my profession, I get paid to monitor the relentless output of television. Go ahead and try to explain it to a non-“Lostie”: “Well, it’s a drama about faith-versus-reason, redemption and salvation, supernatural beings, time travel, religion, philosophy, electromagnetism, lottery numbers, hatches, dead fathers, smoke monsters, frozen donkey wheels …” Oh, just rent the darn DVDs! “Lost” was a show we had to see to believe and even now, six seasons later, it defies description. We couldn’t know that they’d concoct an ambitious, intricately plotted saga that would engage TV viewers in ways never before seen - a show that would have us poring over its every detail, every nuance and every twisty little mystery while prompting us to conclude that, yes, this is precisely why God created message boards. ![]() Abrams and Damon Lindelof had brewing in their demented little minds. Of course, there was no way to predict what co-producers J.J. I saw ‘Cast Away,’ and you just can’t do that as a show.” “My first reaction was: How is this a show?” Harold Perrineau told me during an interview in Hawaii a few weeks before the series premiered. What were we in for - a crazy blend of “Survivor” and “Gilligan’s Island,” with a dab of “Scooby Doo”?Įven the actors were initially skeptical. I recall snickering when I learned that ABC had plans to include in its fall lineup a series about a bunch of plane-crash castaways marooned on a spooky tropical island. Back in the summer of 2004, “Lost” hardly sounded like an audacious, game-changing TV show that would have us perched on the edge of our sofas in breathless anticipation of tonight’s grand finale.
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